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The Class I’ll Never Forget
If you had to name just one, what’s the Yale course that will
always stay with you? Here’s what Angela Bassett, Alan Dershowitz, David
McCullough, and others had to say.
July/August 2012
Some parts of our education—yes, even a Yale education—seem to
stay lodged in our brains only long enough to pass a final. But most of us have
vivid memories of lessons learned or epiphanies encountered in the classroom.
Some of the courses we took serve us well in our careers or avocations; some of
them merely haunt our anxiety dreams.
We asked a handful of alumni of all ages from Yale College and
the graduate schools to tell us about the one course they’ll never forget. We
only had room in print for the 15 that follow, but you can read more of them here. And if you’d
like to tell us about the course you’ll never forget, write to alumnimag@yale.edu. We’ll add readers’ contributions to the website.
Alan Dershowitz ’62LLB
Attorney, Harvard law professor, and best-selling author
I was a nervous kid from Brooklyn, waiting for my first teacher
to instruct us on the law of torts. Fifteen of us were milling around wondering
out loud what Assistant Professor Guido Calabresi would be like. As the clock
struck 9 a.m., one of the guys we were schmoozing with simply walked to the
front of the classroom and said, “Hi, I’m Guido Calabresi, your teacher.”
I don’t remember much about the law of torts, but I remember
everything Guido taught us regarding analytic thinking, writing, and law. My
first written assignment earned me a D and a comment implying I might not be
suited to the practice of law. That night Guido called me and told me my D
paper was the best in the class in terms of thinking, but the worst in terms of
writing. “You write like you’re having a conversation with your friends in
Brooklyn,” he said. Guido worked with me all semester and helped turn me into
the writer I have become.
Guido Calabresi ’53, ’58LLB, later became dean of the Law
School.—Eds.

Tanya Wexler ’92
Director of Hysteria and other
films
My most memorable course was Women in
Film with Jennifer Wicke. There was an entire lecture on Madonna and the Blond
Ambition tour. (I went to a concert and wrote a paper on it.) Every week there
was another kickass-awesome chick movie, often with a lesbian context. The Aliens-specific lecture I remember
like it was yesterday, because it was about constructed mothers—Sigourney
Weaver as the real mother, and the crazy alien who was protecting her eggs.
Weaver’s line “Get away from her, you bitch!”—I wrote a paper on that too.

John Downey ’51
Connecticut judge and former CIA officer, imprisoned in China
for 20 years
In senior year, we sensitive types rushed to enlist in Daily
Themes, directed by Professor Ben Nangle. Daily Themes required submission Monday
through Friday, before 9 a.m., of one page, no more, of prose. Students met
weekly, one on one, with an instructor (or Nangle) for a critique of their
efforts. Plot was out. Rather, we were supposed to sketch a scene, delineate a
character, evoke a mood, describe a moment. By mid-term many of us were
encountering an unforeseen crisis. Our supplies of disgusting roommates,
faithless maidens, callous parents were running low. In the later stages of the
course we took to wandering the streets of New Haven late nights, in the hope
that something, anything, might occur to furnish a page. The assignment was
grueling, but the instructors took us seriously and their comments were
perceptive. I recall one instructor as both kind and candid. His name was Peter
Matthiessen. Peter Matthiessen! It was a memorable course.
Since then, Peter Matthiessen ’50 has won the National Book
Award three times.—Eds.

Jonathan Hartman ’09
Senior advanced concepts engineer at Sikorsky Innovations,
program manager for the company’s all-electric demonstration helicopter
Freshman year, relying on sheer confidence, I decided to place
myself in a physics course well above my ability. Even after the first lecture,
which covered the sum total of material I had ever learned, I was not dismayed.
After an abysmal first midterm, I knew I was in trouble. Luckily, my newfound
friend (and later Marshall Scholar in math and physics) Adam Bouland was, like
many Yale students, willing to assist a struggling peer. Instead of the near
failure, I will remember the course more for the life lesson imparted: the
realization that a person should know his or her strengths and weaknesses,
should not be afraid to seek assistance, and should be equally willing to
impart that same assistance to others.

Krista Tippett ’94MDiv
Journalist, author, and host of the public radio program On Being
Leander Keck, one of the great minds of twentieth-century
Biblical studies, nearing the end of full-time teaching, walked us book by book
through the canon of Christianity in the year-long Introduction to the New
Testament. He wove a lifetime of scholarship with a life steeped in the
practical, human, and societal implications of these texts. I will never forget
his reading to us, as the final semester closed, from the wild, apocalyptic
book of Revelation: “And God will wipe away every tear from their eyes.” He had
struggled with health problems, and his wife of many years was in the throes of
Alzheimer’s disease. He had taught us to read this text in its literary,
historical, and sociological context. At the very same time, we were witnessing
its tender, transcendent promise tucked between demons and reckonings and
battles. I will ever after hear that promise in Leander Keck’s voice and
imagine it in bold as the point of the story.

Lisa Sanders ’97MD
Physician and author of the New York
Times Magazine’s “Diagnosis” column
It wasn’t exactly a class, but as a
third-year medical student, I went to Resident Report, a teaching meeting that
happens every day at Yale–New Haven Hospital. The residents and medical
students sit around a large table, and in a circle around them are the seasoned
medical teachers, who mostly sit quietly. I had covered medicine as a TV
producer for years and thought I knew the kinds of stories I’d see as a doctor.
But I didn’t realize diagnosis was like a detective story, where the doctor
gets to play Sherlock Holmes. Nothing had prepared me for the uncertainty you
encounter when you first meet a patient and don’t know what’s going on. Going
to Resident Report is still my favorite activity of the day.

Daniel Weiss ’85MPPM
President, Lafayette College
Economics with Sharon Oster. In addition to gaining a strong
foundation in the “dismal science” from one of Yale’s great professors, I was
introduced to two key concepts: opportunity costs, which provide a framework
for understanding the tradeoffs involved in strategic decision-making, and
marginal costs, which remind us that the context in which decisions are made
matters a great deal. These two concepts, which are relevant to almost any
situation, guide my thinking almost every day.

Peter Diamond ’61
Economist and Nobel laureate
Mathematical Analysis, an introduction to real variables taught
by the late Shizuo Kakutani, was where I learned what a real proof was. I
thought I had aced the first exam, but I scored in the 40s. That focused my
attention on finding out what I was not getting. I learned a lot and well
enough that he wrote me a letter of recommendation for grad school. And I got
in.

Janna Wagner ’95
Founder of All Our Kin, a Connecticut-based nonprofit that
trains community child-care providers
Introduction to Women’s Studies and Feminist Thought with Laura
Wexler gave name to things I had been thinking but didn’t know were called
“feminism.” The readings made me think differently about how the world works
and how I could change it. Among other things, we looked at women as caretakers
and nurturers, and I live that, every day, in the work I do now. I’m a better
teacher, entrepreneur, and nonprofit administrator because of the foundation I
got in that class. Because I didn’t know what feminists were, seeing Professor
Wexler and other women claim that word without fear and with pride was
empowering, freeing, and exciting.

May Berenbaum ’75
Professor of Entomology, University of Illinois, and founder of
the Insect Fear Film Festival
Throughout my childhood, despite a love
of biology, I suffered from an extreme entomophobia. In spring of freshman
year, the only biology course that fit into my schedule was Biology
42b—Terrestrial Arthropods, taught by Charles Remington. I figured if I made it
through, at least I’d know which insects to be afraid of. Charles Remington was
an amazing teacher and brought about my complete conversion from entomophobe to
entomophile. In his class I first learned about insect-plant coevolution, a
subject that so captivated me that I’ve spent 35 years conducting research in
that area. Were it not for Bio 42b, I wouldn’t be who I am today: not just a
member, but the head of a department of entomology and public advocate and
defender of almost all things six-legged.

David McCullough ’55
Pulitzer Prize– and National Book Award–winning historian
Without any question: Vincent Scully’s Introduction to the
History of Art and his spirited, memorable lectures before an audience of
students of every kind. By showing us what he loved with such enthusiasm and
vivid use of language, he made us see as we never had before. Some of his
lectures I still remember in detail. He changed my life.
Vincent Scully ’40, ’49PhD, has won both the National Medal of
Arts and the highest honor of the National Endowment for the Humanities.—Eds.

R. Owen Williams ’07MSL, ’09PhD
President, Transylvania University
No class stands out more than Documents in American Political
and Social Thought, the graduate history course I took with Daniel Walker Howe.
The class dealt exclusively with key primary texts from American history, and
there were a dozen extraordinary students working under the guidance of a
master. Howe directed conversation to the most fruitful conclusions, largely
based on his creative assignments. Each class featured a student presentation
that revolved around six questions the student devised, three for a
hypothetical undergraduate course and three for a graduate course. We were also
given regular readings from which Howe had selected a key passage that our
group was meant to contextualize. (Howe always zeroed in on the most salient
and compelling sentences, as if he had written all the texts himself.) Every
session of that course dazzled and inspired me.

Harold Bloom ’56PhD
Sterling Professor of Humanities
I had two one-year graduate courses with W. K. Wimsatt and John
C. Pope, and one each with William Clyde DeVane and Helge Kokeritz. I learned
immensely from all of them. But my great mentor at Yale was Frederick Pottle,
whose courses, and supervision of my doctoral dissertation, were crucial to me
in every way. I revere Professor Pottle and hope his memory stays alive within
others as it does in me.

Angela Bassett ’80, ’83MFA
Academy Award–nominated actor
There were few classes that generated
the buzz of Annette Insdorf’s freshman English class. Seeing a foreign film or
small independent movie was a weekly requirement. Jules
and Jim, Swept Away—what ensued were rich, vibrant, electrifying
discussions. Sure, we wrote the requisite papers, but the thrilling part of it
was watching this petite lady share her love of learning, joy of teaching, and
passion for cinema with us. It was worth getting up early to garner a spot!

Robert Morgenthau ’48LLB
Former Manhattan district attorney
It was the course on bankruptcy with J. W. Moore in my final
semester. After I got a job in New York, I was coasting. I realized he was
really angry and wanted to flunk me. At the time, although he never mentioned
it, he had the leading book on bankruptcy. I went to the library and read both
volumes from cover to cover. The final exam came, and I got through so quickly
that I was afraid I had missed something—but it was right out of his books. I
saw him a few days later and he said, “Damn you, Morgenthau, I wanted to flunk
you but now I’ve got to give you an A.”  |