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Protégés
Excerpts from essays by Anne Fadiman’s students

“Operation Turtle”

There was a time when my family was really lacking in the Pet Department—which is odd, considering the menagerie that eventually accrued. A llama, two alpacas, the pygmy goat upon whom my father was surprised to stumble when he attempted, newspaper tucked under one arm, to enter the downstairs bathroom … then the miniature horse, followed by two parakeets, two rabbits, two dogs, more horses, and finally, eight chickens and a poor henpecked rooster named Wendell.

“Googly Eyes”

The clock has twelve eyes, one for each hour. Three and nine o’clock are green, twelve and six are gray, and two is hazel. The eye at five o’clock looks as if it’s just been on a bender; its iris is surrounded by a dense network of red veins, and its sclera (the “white” of the eye) is pink with irritation. The eyes are glued onto a standard-issue square office clock, black with white tick marks. From their vantage point on the wall of the New Haven office of Mager & Gougelman, Inc., the eyes can see several chairs, a small table with a stack of magazines, and two paintings of churches. I am staring at five o’clock when a man walks through the door to my left. … Introducing himself as David Gougelmann, he ushers me out of the waiting room and into the back.

“Distance: A Definition”

My mother … diagnosed her patients, but never her family. Two relatives killed themselves, but my mother thought their deaths too painful to have been suicides. Her aunt had not leapt from the seventh floor window. She had fallen, her arm extended towards a balloon, her fingers reaching for the string. Her cousin, a ballerina, had not thrown herself before a train. It had been an accident, the cousin’s arms lifted above her head, her toes in a demi-pointe, the horn like a note from the orchestra pit, the shriek of the wheels like the applause of an audience that had come to its feet.

“Hurting Enough”

[At] Excalibur Tattoo in Shelton, Connecticut, … in a foyer packed with bizarre objects jostling for attention (medieval sword mounted on wall, slideshow of nipple piercings and tattooed private parts running on loop) perhaps the most eye-catching is a bulky crate overflowing with squishy foam ducks. Each duck’s chest reads “I GOT PRICKED @ EXCALIBUR.” Every client who gets tattooed takes one home, and they serve a double purpose: on the one hand, as keepsakes, and on the other, as yielding objects for those clients to squeeze with all their might as the store’s owner, using a tiny machine powered by electromagnetic coils, drives a set of pins into their skin at a rate of 120 to 140 penetrations per second. Most of these ducks, I’m told, end up decapitated.  the end

 
 

 

 

Related

The Prose Whisperer

Read the full texts of essays excerpted here

 
 
 
 
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