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You Can Quote Them
July/August 2008
by Fred R. Shapiro
Yale law librarian Fred R. Shapiro
Is editor of the Yale Book of Quotations.
The principal theme of these columns is the slipperiness of quotation attribution. Popular quotation lore, and often
the standard quotation dictionaries as well, base many of their attributions on
legend, misinformation, and shoddy or nonexistent research. There are also
systematic distortions in quote-sourcing. One of the most common distortions is
that famous movie lines are invariably credited to their movies—though the
lines were often taken verbatim, or with only slight changes, from the book,
play, or short story upon which the film in question was based.
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Many cinematic quotations can be traced to literary originals. |
In the Yale Book of Quotations, I have a large section of film
lines, but some of the most famous lines in motion pictures are not included
there. Sometimes I am asked, for example, why there are ten quotes from the
1939 movie The Wizard of Oz—such as “Toto, I’ve a feeling we’re not in Kansas anymore"
and “Pay no attention to that man behind the curtain!”—but not other celebrated
ones. The answer is that the others appeared earlier in L. Frank Baum’s 1900
book, The Wonderful Wizard of Oz, and they are listed under Baum’s name:
There is no place like home.
—Chapter 4
“I am Oz, the Great and Terrible.
Who are you, and why do you seek me?” … “I am Dorothy, the Small and Meek.
I have come to you for help.”
—Chapter 11
I’m really a very good man; but I’m
a very bad Wizard.
—Chapter 15
To me, it makes no sense to acribe
“There is no place like home” to a movie if it is really a Baumism.
Many of the greatest cinematic
quotations can be traced to literary originals. The Yale Book of Quotations records these examples and dozens
of others:
My dear, I don’t give a damn.
—Margaret Mitchell, Gone with the
Wind, Chapter 63
(1936)
I’ll make him an offer he can’t
refuse.
—Mario Puzo, The Godfather, Chapter 1 (1969)
A census taker tried to quantify me
once. I ate his liver with some fava beans and a big Amarone.
—Thomas Harris, The Silence of
the Lambs, Chapter
3 (1991)
Bond—James Bond.
—Ian Fleming, Casino Royale, Chapter 7 (1953)
One complication is that subtle
changes in the adaptation from novel to film might qualify the movie line as a
new creation. Perhaps the screenwriter’s keen sense of diction and cadence was
just the touch that resulted in a quotation that earned cultural
immortality. L. Frank Baum wrote,
“I never thought a little girl like you would ever be able to melt me and end
my wicked deeds” (Chapter 12). In the hands of the screenwriters Noel Langley,
Florence Ryerson, and Edgar Allan Woolf, it became “Who ever thought a little
girl like you could destroy my beautiful wickedness?” Clearly the latter is the
superior version. And “Frankly, my dear, I don’t give a damn” is number one on
the American Film Institute’s list of the top 100 movie quotations in American
cinema—but would it be there if screenwriter Sidney Howard had not added to
Mitchell’s version that one evocative word, “Frankly"?  |